Is that Marilyn?
#2
Posted 06 November 2013 - 08:29 PM
A couple custom pen overlay guys come to mind. One on the USA's west coast, one in England.
Nice pen
regards
david
Email: isaacson@frontiernet.net
#4
Posted 07 November 2013 - 09:40 AM
This overlay is a departure from the way that I have done any of my previous ones, in that the image has been created without any engraving to depict the image.It's Henry Simpole
The image is entirely made up from the 'piercing-out' process, relying entirely on the shadows within the subject, almost like a silhouette [or a negative image] but 'not' quite a silhouette! If you see what I mean!!!
This might not be apparent at first, but I can assure you that it does mean that it is very much more difficult to do, and not a little 'nerve-wracking!' as any mistake made during the operation would mean that the whole thing would have to be discarded, and I would have had to start again!
It was quite an exciting thing to attempt, and by the time I put the 'beauty spot' in it, [the last thing that I did!] I was just relieved that I had completed it, without any obvious mistakes!
Truffle finder.
Edited by Truffle Finder, 07 November 2013 - 09:41 AM.
#7
Posted 07 November 2013 - 08:41 PM
I don't know if you remember the 'Maskelyne' design I sent you a year or two back (girl with cauldron, designed by Carlo Norway) - that was one I had hoped you might be able to translate more by piercing rather than engraving (the smoke could be abstract rather than featuring precisely the sinister beasties in the original image)! Maybe one to revisit, for a pierced design in 9ct gold - I could start saving again.......
Andy
Edited by AndyR, 07 November 2013 - 08:41 PM.
#8
Posted 08 November 2013 - 08:08 AM
Yes, I do remember the picture that you had sent me a couple of years ago, but I'm afraid I haven't got a clue what I may have done with it in the meantime! I am hoping that you will still have it 'on file' somewhere in your computer set-up, so, if you have time, and can retrieve it, perhaps you could send it to me, [by normal post please! I still have no idea how to print off images from my computer!] and I will consider it again.
I will await your letter in the near future, as they say!!!
Truffle Finder.
#9
Posted 08 November 2013 - 09:06 AM
Looking at it again, I wonder about the possibilities of mixed materials - gold for the smoke, silver for the girl and other details - or am I getting a bit ahead of myself here....!
Andy
#11
Posted 09 November 2013 - 09:32 AM
This must have been a really racy image when it first appeared in 1919. For those who don't know, Maskelyne was a leading magician of the early part of the 20th century and one of the founders of the Magic Circle in the UK, in 1905. Very little seems to be known about the artist, Carlo Norway, which is a pity because I'd like to see more of his work. He was born in 1886, he seemed to travel widely in Europe, gaining his artistic education in Paris and Dresden and also apparently worked as a sculptor as well as an artist - but that is about all. Maybe when I get bored with pen history, he could be another research project!
As well as gold for the smoke, silver for the other parts, how about rose gold for the flames below the cauldron and niello work silver for the black cauldron? Gosh, what I could do if I only had the time, the technical ability and the talent!!
Andy
** 'Not apt to disclose secrets'
I have never forgotten this, it earned me a good prize in a postal quiz I used to do, very many years ago, before the internet became all-powerful at solving that sort of thing!
Edited by AndyR, 09 November 2013 - 09:33 AM.
#12
Posted 14 November 2013 - 04:47 PM
I sometimes wonder if one of the reasons for people's reluctance to comment on threads such as this one, is purely because they are frightened about being criticised by someone else.
Please don't be put off by making your point about anything that you feel about anything that appears on here, generally, [I think that I am right in saying this] you have nothing to be scared of over here, on the Fountain Pen Board.
Thanks, mainly to David I.
Truffle Finder.
#13
Posted 14 November 2013 - 05:54 PM
The greatest difficulty for me in thinking about details of a design is appreciating how effective it might be when curled for the barrel and I am particularly relying on Henry's advice to tell me what works and what doesn't in his experience.
Andy
#14
Posted 17 November 2013 - 06:06 AM
Does anyone have any to share here? Maybe some of your work, Mr Simpole, as it's always stunning, if you could share?
Edited by Paolino, 17 November 2013 - 06:10 AM.
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Rocco
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